Since the 6th century, representations of the four seasons have often embodied the intersection of nature, Shintō, and Buddhism. The cycle of the four seasons expresses a sense of both permanence—as their cycle is seemingly endless, year after year—and impermanence—as each season waxes and wanes, giving way to the next.

The coexistence of permanence and impermanence, so perfectly illustrated by the cycle of the seasons, connects both to the importance of nature in Shintō and to the ephemeral nature of life on Earth in Buddhist thought.

In Japan, paintings depicting the seasons are known as shiki-e (literally, “painting of the four seasons”). The seasons were depicted in a wide range of mediums—from folding screens to handscrolls.

Kano Motonobu’s folding screens, for example, include birds and flowers associated with each of the four seasons, and would have possibly sparked conversation about the cycle of time as they divided a room for a wealthy patron.

These notions were expressed and communicated in the arts, especially in poetry and painting, which were themselves often paired.

During the Heian period, images nature, including of the four seasons, began to be called yamato-e, meaning “Japanese painting.” Yamato-e was understood as “Japanese” as opposed to “Chinese” or otherwise “foreign.”

Yamato-e typically had bold colors and the use of gold leaf. Importantly, the pictorial tradition of the four seasons in Japan also allows us to see the fusion of Japanese and Chinese thematic and stylistic elements in painting over time. By the Nara period (710–794 C.E.),

Tang-dynasty Chinese culture exerted a strong influence on Japanese culture, and the lavish Tang style was intertwined with Buddhist devotional art.

Chinese models in art and literature heavily influenced Japan. Beginning in the 9th century, people in Japan began to desire something distinct, and, as a result, art and forms that were regarded as Japanese were clearly distinguished from those that were Chinese.

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Designers create luxury wallpaper with great care and make sure that every facet—from the materials to the colors and patterns—radiates artistic flair. Rather than being limited to paper only, luxury wallcoverings may be comprised of woven fabric with visible texture.

It is the most commonly used type of wallpaper, currently, because of its high durability. The thicker the vinyl coating layer is, the more durable the wallpaper will be. Vinyl paper can be used in kitchens and bathrooms, as it can of withstanding steam.

They are made of vinyl (polyvinyl chloride) or latex. The primary purpose here is to make the wallpaper more durable and strippable. The wallpaper is then printed with inks. A vehicle is also used to tie the ink with the backing of the wallpaper.

Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective compositions.

Geometry is about shapes, lines, and angles, and how they're positioned in a space. Abstract art is about interpreting subjects non-concretely, often using shapes and color to communicate an idea.

There are two types of painters in the field of Abstract Expressionism. Some, like Jackson Pollock, are called 'action painters' and use slashes and dripping techniques in painting. Others are called 'color field painters' and include large spaces of color on the canvas.

As the season changes from summer to fall, the days become shorter, meaning that the amount of sunlight shining on the leaves becomes greatly reduced. Because of that, the production of chlorophyll in leaves reduces, as well, and eventually stops. The remaining chlorophyll is slowly destroyed, causing the other pigments — be they xanthophylls, carotenoids or anthocyanins — to become more visible.

According to the Michigan State University’s College of Agriculture and Natural Resources, the "most brilliant leaf displays follow a period of warm days filled with sunshine and cool nights". The reason for this is because sunny days produce more sugar in the leaves — and more sugar produces a stronger pigment in the leaves.

Temperature and moisture play such a huge role that factors like an early frost or a drought could cause leaves to fall without having time to first change colors.

Artistic freedom (or freedom of artistic expression) can be defined as "the freedom to imagine, create and distribute diverse cultural expressions free of governmental censorship, political interference or the pressures of non-state actors.

Generally, artistic freedom describes the extent of independence artists obtain to create art freely. Moreover, artistic freedom concerns "the rights of citizens to access artistic expressions and take part in cultural life—and thus [represents] one of the key issues for democracy."

The extent of freedom indispensable to create art freely differs regarding the existence or nonexistence of national instruments established to protect, to promote, to control or to censor artists and their creative expressions. This is why universal, regional and national legal provisions have been installed to guarantee the right to freedom of expression in general and of artistic expression in particular.